Coolie (1983)

CAST & CREW

Produced By	Ketan Desai
Directed By	Manmohan Desai, Prayag Raj
Music By	Laxmikant - Pyarelal
Starring
Amitabh Bachchan	Rati Agnihotri
Rishi Kapoor	Shoma Aanand
Satyen Kappu	Waheeda Rehman
Suresh Oberoi	Kader Khan

Click HERE for a complete listing of Cast & Crew.

PLOT SUMMARY

It is extremely difficult to summarize the plot in short for the story has several sub-plots and situations that require a seasoned Hindi movie buff to decipher.

In a nutshell, it goes something like this. Zafar Khan (played by Kader Khan) is obsessed with Salma (Waheeda Rehman) and wants to marry her at any cost.

However, Salma and her father do not consent, Zafar kills the father, is arrested, and imprisoned for 10 years only to find out on his return that Salma has married Aslam Khan (Satyen Kappu) and has a son called Iqbal (Amitabh Bachchan). Zafar sabotages a dam, drowns Salma's village & abducts Salma. (Yes, a dam nothing less).

Salma however has lost her memory, doctor advises another child and Zafar arranges for one from an orphanage. Iqbal is rescued by his uncle and raised whereas Zafar's son Sunny (Rishi Kapoor) from orphanage is actually the uncle's son and Iqbal's cousin. Iqbal grows up to be a Coolie (porter) on the railway station and some sort of a local leader. Sunny is a struggling reporter with a local newspaper. The plot is further complicated by the two heroines Julie (Rati Agnihotri) who is out for revenge from Aslam (Iqbal's father) for her father's death (guest appearance Amrish Puri) and Deepa (Shoma Aanand) who is a childhood sweetheart of Sunny. Turns out that the Julie's culprit is Zafar as well. (Zafar seems to be everywhere and yet there is no sign of police)

As story unfolds, all lost and found cases are returned to their roots and Zafar is confronted by Iqbal and Sunny and punished for his wrong doings.

MY TAKE

There is one common bond between all Bachchan movies of the 80s and that is their larger than life depiction of everything and the unrealistic situations and sequences that hold the story line. However, I guess all these movies are still high on the entertainment quotient and it is largely because of the charisma that big B holds till date.

The lost and found formula has been a part of almost all Manmohan Desai flicks and it works in this piece as well. The sincerity with which all actors have acted out the most bizarre situations is amazing.

Let us begin with Kader Khan's obsession with not so young looking Waheeda Rehman. His submerging an entire village by sabotaging a dam is truly an outstanding act to win a lady's love. (I am amazed somebody even thought of such a situation). Nobody takes him to task for the massacre is a different story altogether.

The lost and found rituals and the memory loss has been a tested formula. However, I have in my life never come across anyone with a memory loss myself. (OK, I am not talking about students during examination time). The doctor's diagnosis and prescription about giving the lost Salma another child is again one small step for a doctor  and one giant leap for medical science.

I bow down to Amitabh sir for essaying the role with such a conviction that nothing seems out of place. Not even his kidnapping the heroine from her house, breaking the furniture at Suresh Oberoi's place or taking in 6 bullets and surviving in the climax.

The chemistry between Rati Agnihotri and Amitabh is amazing. He abducts her, brings her to his home and chains her to a bed and still when she hears about news of his staged death, she comes weeping dressed in black and confesses "Pehli baar jab maine tumhe railway station par dekha toh mere dil mein kuch hua" (Now that I regard as some serious upbringing issue). She continues "Tum sabke saamne mujhe 'Luggage' ki tarah uthaa ke apne ghar le gaye. Dar-asal tumhari yehi ada, yehi mardaangi mujhe pasand aa gayi". So clearly if you love someone, kidnap her.

Another aspect worth mentioning about the movie is the little love story between Shoma Aanad and Rishi Kapoor. Incidentally they are childhood sweethearts and miss each other so much that Shoma Aanad becomes a junkie and Rishi Kapoor an alcoholic as they grow up. However, none of them thought of noting down each other's address or writing to each other and being in touch all the years. They did get large wall size prints of the school photo that they had and lived by it all the time though. The song follows "Mujhe Peene ka shauq nahi, peeta hoon gham bhulaane ko".

Hmmm.. I sure wish they had Orkut or Facebook in their times. It's a lot of 'gham' otherwise flowing freely in this big bad world.

The movie however has its moments and these are largely the comic scenes perfected by Amitabh Bachchan and Rishi Kapoor with such ease that you double up even at the slapstick fare. Be it Rishi Kapoor eating the newspapers with Sambhar or Amitabh Bachchan cooking the omelette with the Yoga session on radio.

I wonder who does not know how to cook an egg otherwise?

I guess the greatest USP of the film produced by Ketan Desai and directed by Prayag Raj and Manmohan Desai was the injury that Mr. Bachchan sustained during a fight sequence when Puneet Issar "accidently" hit Amitabh Bachchan in his abdomen.

The film had to be shelved for several weeks before the shooting could be resumed. So much was the hype created around the movie that Manmohan Desai actually froze a frame and added the captions in the final release footage about the same.  

 MUSIC

On the music front, I guess Laxmikant Pyarelal have done a reasonably fair job. "Accident ho gaya Rabba Rabba" I remember was a hit and so was "Humko Ishak hua hai yaaron" sung by Shabbir Kumar. 

 

I still sing "Saari Duniya ka bojh hum uthaate hain" every time I carry shopping bags for my wife. There is another song thrown in for haj yatris which goes like "Madeene wale ko mera salaam kehnaa".

 

Personally I like "Jawaani ki rail kahin chhoot naa jaaye". The song and choreography sure is naughty and suggestive.  I could see similar steps in Accident ho gaya and Jawaani ki rail, looks like doing dance steps was fairly simple then.

 

I guess there is something about Amitabh in this movie that makes it such a special one. The opening sequence where he leaps in the air and runs towards the train is imprinted in the minds of many. 

 

I remember Mallika Sehrawat admitted on a chat show having been smitten by that running shot. Apart from that I guess the climax where Kader Khan empties a revolver on Amitabh and he takes in all the bullets is a high energy scene as well. 

All in all, this one is a great Sunday entertainer. Ideal treat for all Indian Masala lovers. Just ensure that you don't think too much during the course of the movie. Sip some cola, grab some popcorn and watch it for pure Big B Magic alone.

The First Post..

About Indian Cinema, This Blog & Me 

Watching movies is perhaps one of the most popular hobbies of people worldwide after eating and sleeping. Movies bring people closer to their dreams, to a life that they yearn for. It gives them an escape route from their own path.

Starting in 1913, the Indian film industry is nearly 100 years old. Not only the economics and art of film making has undergone a sea change in these last 100 years, the audience and the masses who have patronized this form of art have evolved as well. Click Here to know all about the history of Indian cinema.

I introduce myself as an avid movie watcher who has been brought up on a rich and regular diet of Hindi movies. I remember the time my family bought its first color TV way back in 1981, VCRs were making a foray into the Indian markets. I guess things were never same thereafter.

I inherited the love for Hindi movies from my dad who would gladly rent out a VCR (until we bought our own in 1985) and we would run a movie marathon on holidays watching at times 3 - 4 movies back to back. There was hardly any movie which could escape us (and I am necessarily talking the trash movies of 80s including films like 'Khatron ke khiladi', 'Daku Hasina', 'Sherni', 'Taaqatwar', 'Marte Dum Tak', 'Jungbaaz', 'Zalzala' I can go on and on.

The following years saw me follow each movie with a keen eye, looking up technical details and other aspects as well. The camera angles used, the way action sequences were synchronized and the songs were choreographed as well as the sets and costumes that were involved all formed a part of my discussions.

I would have gladly took up film making as a study (like million others I am sure) had it been a more permissible and financially viable option for average middle class Indians.

This blog is an attempt made to vent out all the movie gyan that has been accumulating over the years and a means to document my reviews and opinions on movies that I have been an audience to.

In my coming posts I shall take up various genres of Indian cinema talking about movies that most people would not even have heard of (I am certain) and others that have interested me over the years. I shall also try and not limit myself to either the commercial masala movies, the parallel cinema or the B-grade stuff alone (Oh yes, I shall be talking a lot about those. I am a huge fan of Kanti Shah and Ramsay brothers).

So, join me in this journey into the world of movies and magic and freely comment upon the movies I showcase on this blog and together let us try and bring some glorious and some lost names to the fore.

I shall look forward to hear from you.